Letter to the Editor: Deborah Jowitt on CORD/SDHS

To the Editors:

I’m finally seizing the moment to thank thINKingDANCE for stimulating the, well. . . THINKING about dance and bringing dance writers virtually together.

Having unthinkingly allowed my membership in DHS and CORD to lapse, I appreciate Lynn’s words on the Iowa conference. I wish I’d been there.

I too am bothered by the issues she raises about experts in one area or culture being casually dismissive of other traditions (in order to make a point), without exhibiting sufficient knowledge of these. And I’m fascinated by Catherine Turocy’s experiments in stretching some of the perceived impressions of Baroque dance—knowing, as she does, that the line between fastidious research and carefully chosen explorations of creative possibilities is a slim one.

Deborah Jowitt

 

Share this article

PARTNER CONTENT

Keep Reading

The Epstein Files and Redacted Bodies 

Megan Mizanty

An interview with choreographer Matthew Steffens on ResistDance vs. Redaction

In a close up photograph, ten dancers in spaghetti-strap leotards lean in, their eyes covered by a sheer black cloth. The middle dancer, closest to the camera, is mid-scream. Behind the dancer is the newly engraved building signage reading “The Donald J. Trump and John F. Kennedy Center.” Some words are covered by the dancers’ heads.
Photo: Courtesy of The First Amendment Troop

Afterglow: The Dancers of KYL/D Take a Final Bow

E. Wallis Cain Carbonell

‘Anticipating something and hoping it will be everything you wished for’

Two dancers in long-sleeved red tops face away from us with arms round one another’s waists as their free arms reach outwards. There are singular, red feathers extending from their heads many feet into the upwards space. To the left of the duet, we see a large Taiko drum.
Photo: Mike Hurwitz