A work like Mary Wigman’s Hexentanz provides a jolting reminder of the power and intensity of early modern dance.
One narrator posits that miracles may not be possible, but this lo-fi, rickety cart-stage and its ingenious human operators o
In Fore-ign/Fore-out, four choreographers explore states of liminality—of how to be between things.
Their spines are sinewy and roiling, their necks crane towards the ceiling, and their eyes roll upwards... this is a dance of