Rockettes

A Rare Collision

Julius Ferraro

I am grateful to the Village Voice and artist Lauren R. Weinstein for allowing me to reprint her grim satire The Rockettes Start the Revolution!

Ten days ago, the iconic New York dance troupe joined the lineup at the inauguration of President Donald Trump. Phoebe Pearl (“a new dance hero” claims Wendy Perron in an article at Dance Magazine) is reportedly not the only Rockette who refused to perform. She is, however, the only one who has spoken out openly (others have spoken anonymously) against our inflammatory new commander-in-chief. She has also resigned over the issue.

It is unusual for a Rockette to air her personal views, and some have condemned or ridiculed her for it. This is certainly “a rare collision of presidential politics and a venerable arts organization,” as Katie Rogers and Gia Kourlas put it in their New York Times writeup, which I suggest reading for further context.

Normel Person, by Lauren R. Weinstein, is reprinted here with the kind permission of the Village Voice and Lauren R. Weinstein. You can follow her work at the Village Voice here.

Share this article

Julius Ferraro

Julius Ferraro is a journalist, performer, playwright, and project manager based in Philadelphia. His recent plays include Parrot Talk, Micromania, and The Death and Painful Dismemberment of Paul W. Auster. He is a former staff writer and Editor-in-Chief with thINKingDANCE.

PARTNER CONTENT

Keep Reading

Teaching Embodied Activism

ankita

A conversation with Zaquia Salinas

Zaquia Salinas kneels on a yoga mat in a naturally-lit studio with wood walls and flooring. She embodies a grounded, punk energy, with a half-shaved head and an all-black outfit of a muscle shirt and capri-length workout pants. Her hands gesture out from her body as she speaks to a class of participants who are similarly seated on yoga mats with blocks surrounding them. The participants include one black-haired individual whose head is foregrounded in the image, one white-haired individual in t-shirt and shorts on the opposite side of the room, and a brown-haired person laying down on their stomach reading from their journal as Zaquia speaks.
Photo: WATS (You've Scene Enough Productions)

Healing in My Heels: On the Choreography of Womanhood

Lauren Berlin

A dancer reflects on womanhood, a twenty-year-old memory, and the difference between being watched and being witnessed.

A group of dancers performing in a high-energy dance class under purple lighting. A blonde dancer in a black crop top and heels strikes a low pose in the center foreground, surrounded by smiling group members dancing in high-heeled boots and athletic wear.
Photo: Lauren Berlin