tD Welcomes Our NEW WRITERS!

Julius Ferraro

Back in November thINKingDANCE brought on a new writer, Thomas Choinacky, and this month, we are bringing on another ten. We are excited to welcome this new cohort of writers with all of their diverse experiences, backgrounds, interests, and ideas to tD.

They include playwrights and activists, scenic designers and illustrators, professors and poets, and of course dancers. They have trained with SITI Company, Urban Bush Women, and Miguel Gutierrez, and performed with Headlong, Teatro Linea de Sombra, and Silvana Cardell. Look forward to reading work by this exciting group:

Mohan Bell
Thomas Choinacky
Miryam Coppersmith
Amelia Rose Estrada
Ama Ma’at Gora
Maddie Hopfield
Jenny Kessler
Zoë McNichols
Preeti Pathak
Barbora Příhodová
Mira Treatman

Welcome to the team!

Share this article

Julius Ferraro

Julius Ferraro is a journalist, performer, playwright, and project manager based in Philadelphia. His recent plays include Parrot Talk, Micromania, and The Death and Painful Dismemberment of Paul W. Auster. He is a former staff writer and Editor-in-Chief with thINKingDANCE.

PARTNER CONTENT

Keep Reading

Teaching Embodied Activism

ankita

A conversation with Zaquia Salinas

Zaquia Salinas kneels on a yoga mat in a naturally-lit studio with wood walls and flooring. She embodies a grounded, punk energy, with a half-shaved head and an all-black outfit of a muscle shirt and capri-length workout pants. Her hands gesture out from her body as she speaks to a class of participants who are similarly seated on yoga mats with blocks surrounding them. The participants include one black-haired individual whose head is foregrounded in the image, one white-haired individual in t-shirt and shorts on the opposite side of the room, and a brown-haired person laying down on their stomach reading from their journal as Zaquia speaks.
Photo: WATS (You've Scene Enough Productions)

Healing in My Heels: On the Choreography of Womanhood

Lauren Berlin

A dancer reflects on womanhood, a twenty-year-old memory, and the difference between being watched and being witnessed.

A group of dancers performing in a high-energy dance class under purple lighting. A blonde dancer in a black crop top and heels strikes a low pose in the center foreground, surrounded by smiling group members dancing in high-heeled boots and athletic wear.
Photo: Lauren Berlin