Photo: stb x at
Photo: stb x at

Looks Like Sounds Like, a Study in Contrasts—and Perception

Darcy Grabenstein

Sean Thomas Boyt and Dr. Andy Thierauf are the artists behind stb x at. Boyt is the movement, Thierauf the music. Together, they created Looks Like Sounds Like for the 2020 virtual Fringe Festival

Low lighting shrouds the stage, casting eerie shadows on both the dancer and the drum set. The sinewy Boyt appears in a strappy, flowing dress with fringed accents. Carrying out the fringe theme, a banner of shiny silver tinsel spills from drum to floor, encircling the kit like a blingy necklace.

This number is a study in contrasts. Movement vs. stillness. Sound vs. silence. Boyt’s flailing, seemingly nonchalant arm movements contrast Thierauf’s controlled, measured strikes with the sticks. Boyt’s body is a contrast, too: The fluidity in their upper torso, their head moving like a bobblehead in slow motion, is in marked contrast to the often angular motions of their legs, kicking out at right angles, feet flexed.

In what may be an homage to a background in ballet, Boyt tosses in two demi pliés in first position. This nod to traditional dance provides yet another contrast in what is anything but a traditional performance.

Thierauf is as diverse and creative with sound as Boyt is with style. He produces a smorgasbord of sounds with different objects and techniques: scratching the drum head (which may leave you scratching your own), tapping with drumsticks, slowly drawing a violin bow, and more.

A few notes about the video format: The camera at times focuses on the dancer or the drummer, choosing the focal point for you. While you may be tempted to fast-forward to another section of the video, don’t. Watch it from start to finish, as you would at a live, in-person performance. I suggest you stream the video to a large screen for full effect and also recommend using headphones. In my case, a noisy air conditioner made it difficult to pick up sound nuances. The video is also available with voiced-over audio descriptions, provided by Kat Sullivan*, for accessibility.

One benefit of the virtual format: It looks like I’ll get to watch the entire production again in order to absorb it all.

*Kat Sullivan is a writer for thINKingDANCE

Looks Like Sounds Likestb x at, 2020 Fringe Festival, Sept. 10–Oct. 4.
 

Share this article

Darcy Grabenstein

Darcy Grabenstein is a freelance writer and poet who has had a lifelong love affair with dance.Throughout her life she has explored ballet, international and Israeli folk dance, and most recently Zumba. She is a former staff writer and editor with thINKingDANCE.

PARTNER CONTENT

Keep Reading

Unscored Improvisation, H-O-T or Not?

Xander Cobb

Does dance need meaning to be meaningful?

Three people sit in an oblique triangle that fills the frame. To the left, a musician, Aabeizer, sits on a black bench in carpenter jeans and a dark t-shirt. His eyes are closed and his feet bare. He moves his hands around a circular plate and wooden dowels that extend from a wood board he holds against his chest. To the right, a saxophonist, Bhob Rainey, sits on a folding black chair in a black cardigan and grey pants, blowing into the mouthpiece and pressing the keys. Between them, a person with short red curls, Kayliani Sood, crosses their legs on a white stool, sitting higher than the musicians beside her. They wear brown shorts over grey pants and a black t-shirt with a blue square patch in the center. She rests one hand on her knee, and the other over their forearm, closes her eyes and tilts their head pensively to the right.
Photo: Loren Groenendaal