Photo: stb x at
Photo: stb x at

Looks Like Sounds Like, a Study in Contrasts—and Perception

Darcy Grabenstein

Sean Thomas Boyt and Dr. Andy Thierauf are the artists behind stb x at. Boyt is the movement, Thierauf the music. Together, they created Looks Like Sounds Like for the 2020 virtual Fringe Festival

Low lighting shrouds the stage, casting eerie shadows on both the dancer and the drum set. The sinewy Boyt appears in a strappy, flowing dress with fringed accents. Carrying out the fringe theme, a banner of shiny silver tinsel spills from drum to floor, encircling the kit like a blingy necklace.

This number is a study in contrasts. Movement vs. stillness. Sound vs. silence. Boyt’s flailing, seemingly nonchalant arm movements contrast Thierauf’s controlled, measured strikes with the sticks. Boyt’s body is a contrast, too: The fluidity in their upper torso, their head moving like a bobblehead in slow motion, is in marked contrast to the often angular motions of their legs, kicking out at right angles, feet flexed.

In what may be an homage to a background in ballet, Boyt tosses in two demi pliés in first position. This nod to traditional dance provides yet another contrast in what is anything but a traditional performance.

Thierauf is as diverse and creative with sound as Boyt is with style. He produces a smorgasbord of sounds with different objects and techniques: scratching the drum head (which may leave you scratching your own), tapping with drumsticks, slowly drawing a violin bow, and more.

A few notes about the video format: The camera at times focuses on the dancer or the drummer, choosing the focal point for you. While you may be tempted to fast-forward to another section of the video, don’t. Watch it from start to finish, as you would at a live, in-person performance. I suggest you stream the video to a large screen for full effect and also recommend using headphones. In my case, a noisy air conditioner made it difficult to pick up sound nuances. The video is also available with voiced-over audio descriptions, provided by Kat Sullivan*, for accessibility.

One benefit of the virtual format: It looks like I’ll get to watch the entire production again in order to absorb it all.

*Kat Sullivan is a writer for thINKingDANCE

Looks Like Sounds Like, stb x at, 2020 Fringe Festival, Sept. 10–Oct. 4.
 

Share this article

Darcy Grabenstein

Darcy Grabenstein is a freelance writer and poet who has had a lifelong love affair with dance.Throughout her life she has explored ballet, international and Israeli folk dance, and most recently Zumba. She is a former staff writer and editor with thINKingDANCE.

PARTNER CONTENT

Keep Reading

The Sand Is Alive

Brendan McCall

Dance, glass, and music invite a deeper contemplation of sand

A woman is in a headstand, while a man stands nearby with his arms raised in shadow to her right. Both wear tan, form-fitting clothes with strips of white plastic running along the outside of their limbs and backs. On the white walls are unusual glass sculptures that look like waterways.
Photo: Natalie Moore

Cryptic Precision: On Vanessa Kamp’s ‘Houndstooth’

Mang Su

'Houndstooth' unleashes the subversive power of parody with bewildering precision.

Seen from a low angle against a black background, a performer wears black blazer and bright red shorts with a black drawstring. Crinkled yellow cellophon covers their mouth and cascades down their chest, with a loose flap jutting to the left. They look down toward the camera, one hand raised near their abdomen and the other hanging beside their thigh.
Photo: Pep Casadevall

Join us for