Photo: Aidan Un
Photo: Aidan Un

Staying Passionate About Dance

Kristi Yeung

When the coronavirus pandemic forced dance classes online, Pasión y Arte artistic director Elba Hevia y Vaca was concerned that the percussive elements of flamenco dance wouldn’t translate through a screen. To stay connected to her students, she needed to teach a different kind of dance—one with less complicated footwork. She turned to sevillana, a celebratory folk dance that originated in Castile, and started teaching classes over Zoom every Saturday morning. Sevillana Get Togethers 2020 at the Fringe Festival was the class’s culminating show.

Each of the four prerecorded videos features student footage, brief dance and cultural lessons, and guest performances. The student dancers joyfully perform sevillana choreography in their living rooms, in front of their houses, or in Zoom’s whimsical digital backgrounds. Hevia y Vaca, dressed in a vibrant red hat and vest lined with golden fringe, passionately explains the four coplas, or parts, of sevillana. She also reviews elements of the dance’s technique, music, and origins. Two of the videos incorporate a brief dance lesson with Hevia y Vaca and Leilani Chirino. These demonstrations are quick, showing how to identify, rather than perform, the steps.

The guest artists bring dynamic energy to the last three videos. In a YouTube-style split-screen performance, singer Barbara Martinez appears in six onscreen tiles and does a different musical task in each—expressively singing, clapping, snapping, hitting a tambourine, brushing a basket, and shaking a cylinder. The song she creates reappears in the next guest performance, featuring side-by-side clips of dancers Xianix Barrera and Laura Peralta, whose firm steps are made more powerful by their expressive faces. The final video includes two transportive performances of dancer Sol Koreaus and guitarist Rafael Brunn showing off their impressive crafts in the streets of Barcelona.

There were a few small technological hiccups: the second video release was delayed, and the final performance was changed from a live-stream event to a prerecorded video. The videos also showcased student testimonials, which felt out of place. Nevertheless, Sevillana Get Togethers 2020 was a celebratory series of premieres, illustrating how a group of Philadelphia-based artists and students turned to an unfamiliar form of dance to maintain their passion for movement during the pandemic. As Hevia y Vaca says in the final video, “Art can really bring our higher selves.”

Sevillana Get Togethers 2020, Pasión y Arte, 2020 Fringe Festival, September 17, 24, October 1.

Share this article

Kristi Yeung

Kristi Yeung is a writer and dancer currently based in Philadelphia; she previously lived in NYC, where she was an advertising copywriter by day and a hip-hop dancer by night. Her writing has appeared in The Philadelphia Inquirer, Dance Magazine, and thINKingDANCE. She is a former staff writer with thINKingDANCE.

PARTNER CONTENT

Keep Reading

Dance Leadership by the Numbers

Jennifer Passios

A Conversation with Elizabeth “Liza” Yntema of Dance Data Project®

At the RISE 2025 Summit held at the New York Library for the Performing Arts, panelists for a discussion entitled “Data is Revolutionary” gather in black office chairs with silver legs in front of a large projector screen that reads “Dance Data Project, Harriet Tubman Effect Institute, & Women Count” in a pastel blue above the title “Data is Revolutionary” in a light yellow. Six circles containing the headshots of the panelists dot the rest of the projection. Amidst the other seated speakers, Nancy Owen stands holding a microphone in her right hand. She leans forward toward the audience, eyes alight, mouth open in speech that slips through an excited smile. In the lower left corner of the frame, a bald man in a crisp blue suit brings the crook of his thumb and second finger to his chin at stage right. He looks out toward the audience with his chair angled away from the six panelists.
Photo by Victoria Detres

Meanwhile, in an Indoor Meadow: An Interview with Andrew Skeels

Caedra Scott-Flaherty

A new dance and exhibition explore growth and change in an intimate setting.

Andrew Skeels, a White man with buzzed hair, wearing a black T-shirt, stands against a black background. He is turned to the side but looks directly out with a soft smile.
Photo: Damian Siqueiros