All Articles

Photo: Herman Sorgeloos
  • Reviews

Architectural Tuning

Megan Bridge

Partita 2 asks us not just to note the passing of time, but to participate kinesthetically in time’s ticking.

Photo: Jae Man Joo
  • Reviews

Intricate Inconsistencies

Whitney Weinstein

Complexions Contemporary Ballet's athleticism and movement skills went overlooked by none.

Photo: Bill Hebert
  • .

BalletX Brings Fonte’s Beasts Alive at the Wilma Theater

Gregory King

Felesina whittled through the space before washing the floors with her fluid, muscled body.

Photo: ISOP
  • Reviews

NowHere/NoWhere: Two Views

Zornitsa Stoyanova

tD writers Lynn Brooks and Zornitsa Stoyanova intertwine their takes on performances at the NowHere Festival of Free Improvisation

Photo: Natalia Kabanow
  • Reviews

Chopin’s Sickly Hands

Julius Ferraro

Chopin Without Piano uses music in its dramatic application to reveal the way cultural revolutionaries are treated as cultural capital by appropriative governments.

Photo: Tadashi Suzuki
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“Making the Body Theater”: An Interview with Terzopoulos on Antigone

Jay Oatis

"Tragedy...it's not drama. You're naked on the stage, like dance."

Photo: Ayano Hisa
  • Reviews

Silenced Voices Speak Up: Urban Bush Women

Lauren Samblanet

There is so much sadness and built-up anger, such a pressing need for strength, so much joy.

Photo: Ian Douglas
  • Reviews

Theater in the Wake

Kirsten Kaschock

Sometimes you are not in control of what wells up inside of you in response to art... Sometimes, maybe that’s what art is.

Photo: Frank Bicking
  • Reviews

To delight and to rot

Kat J. Sullivan

An aesthetic response to The Ripening Suite

Photo: Alexander Iziliaev
  • Reviews

PAB: Pointe and Break

Lynn Matluck Brooks

Pennsylvania Ballet put on a dizzying display of the body's potential.