All Articles
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Directed by Seán Curran, The Radio Hour will be a funny, stirring, and richly textured Philadelphia debut.
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How do you reclaim something that, while rightfully yours, has always been used against your autonomy?
- Reviews
Up close, the audience can see the balances and supports afforded by the circus equipment and notice each finger, glance, and weight shift.
- Reviews
Scratch Night reflects a growing interest among artists of all genres in revealing art making process to audiences.
- Reviews
The cocoon of home will always provide a comfortable space for this kind of experimentation.
- Reviews
You’ve got the sacred and the profane, some spoken text, some songs, some painting, some dancing. You've got smart bodies and smart brains... aggression with vulnerability.
- Reviews
Language falls short of the wonder of their performance.
- Reviews
As their Fa’ataupati, or Samoan slap dance, progressed, I began to see the richness of Black Grace’s cultural identities emerge.
- Reviews
Elena Light interviews Magda & Chelsea simultaneously but separately over at Culturebot. Their "Vulgar Early Works" is coming to FringeArts.
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The symposium “Russian Movement Culture of the 1920s and 1930s” revealed a period of extraordinary vibrancy and anxiety in Russia and among its émigré populations.