All Articles

A Dancing, Songful Farewell

Directed by Seán Curran, The Radio Hour will be a funny, stirring, and richly textured Philadelphia debut.

Photo: Johanna Austin, AustinArt

MY FALL IN BODIES. FOR ANNIE.

Kirsten Kaschock

How do you reclaim something that, while rightfully yours, has always been used against your autonomy?

Photo: Michael Ermilio

Flying and Fleeting

Lynn Matluck Brooks

Up close, the audience can see the balances and supports afforded by the circus equipment and notice each finger, glance, and weight shift.

Photo: Megan Mazarick

Scratch That and Recreate an Arts Community

Whitney Weinstein

Scratch Night reflects a growing interest among artists of all genres in revealing art making process to audiences.

Photo: Bob Finkelstein

Gem n’ I: Domesticity As Performance

Gregory King

The cocoon of home will always provide a comfortable space for this kind of experimentation.

Photo: Kevin Monko

Sparks Fly From a Volatile Mix

Ellen Chenoweth

You’ve got the sacred and the profane, some spoken text, some songs, some painting, some dancing. You've got smart bodies and smart brains... aggression with vulnerability.

Photo: Alexander Iziliaev

Amazing, Awesome BalletX

Carolyn Merritt

Language falls short of the wonder of their performance.

Photo: Duncan Cole

Running Rhythms

Whitney Weinstein

As their Fa’ataupati, or Samoan slap dance, progressed, I began to see the richness of Black Grace’s cultural identities emerge.

Photo: Josh McIlvain

Magda & Chelsea Interview

Elena Light interviews Magda & Chelsea simultaneously but separately over at Culturebot. Their "Vulgar Early Works" is coming to FringeArts.

Funny Guys, 1934 Soviet musical film

Turbulent Times in Motion

Lynn Matluck Brooks

The symposium “Russian Movement Culture of the 1920s and 1930s” revealed a period of extraordinary vibrancy and anxiety in Russia and among its émigré populations.