All Articles

Photo: Anna Lee Campbell

Petals on a wet, black bough

Kirsten Kaschock

Eiko in performance — painted a near white, her slight frame and its minimal gestures sometimes unbearably sorrowful — does not appear to have the fortitude to take care of us. Still, I think she is doing just that.

photo: Antoine Tempé

Two Looks, from Twenty

Megan Bridge

Megan Bridge sat down for a screen-to-screen “chat" with Gregory Holt about Trajal Harrell’s "Twenty Looks or Paris is Burning at the Judson Church."

Photo: Nancy Chen

I Could Barely Breathe

Lynn Matluck Brooks

I have never seen a site-specific work use a chosen space to better impact, or performers more committed to the world they create therein.

Photo: Alexander Iziliaev

In Conversation: Angel Corella

Lisa Kraus

Why Angel Corella hopes "that everyone can make it to Philadelphia," and more thoughts from the new Artistic Director of PA Ballet.

A New Debut–Corella as PAB Artistic Director

Kat J. Sullivan

Editor’s Note: TD at Three–Stepping Down/Stepping Up

Lisa Kraus

On turning three, thINKingDANCE will soon revitalize itself with a changing of the guard!

Photo: Becca Weber

Chirp Chirp

Ellen Chenoweth

Read a re-cap of thINKingDANCE's Philadelphia Fringe Festival twitter reviews.

Photo: Andrea Clearfield

#shamanicinterfaces: Creative Meditation

Kalila Kingsford Smith

Puts the spotlight on the ritualistic nature of performance.

Photo: Hope Davis

Meat

Nicole Bindler

They are at a burlesque show called Lovertits. I am at an experimental dance-theater performance that critiques the male gaze called Lovertits.

Photo: Lora Allen

Jungle Loops

Lynn Matluck Brooks

Dancers scratch on the wood, tap it, rap it, and soon the audience joins into this gentle symphony.