All Articles

Photo: Andy Vernon-Jones

Loosely Bound Thunder

Ellen Chenoweth

Rather than performing as dancers or musicians, each cast member became a truly hybrid cross, moving and sounding at the same time throughout the piece.

Photo: Bill Hebert

Inhal(In)g Philadelphia!

Gregory King

What makes the InHale Performance Series a success is the nurturing community it offers to emerging and established artists.

P.S. 40: Identifiers in Art Making

Photo: Jean Luc Tanghe

Re: Rosas*

Rosas is a trial of endurance, sure, but like any great challenge with substance at its core, it rewards: you emerge changed.

Photo: Robin Barnes

Ugly Numbers Part III: The Dance Apocalypse

Nicole Bindler

The final installment of Ugly Numbers, a three-part investigation on gender inequity in contemporary American dance.

Photo: Anna Lee Campbell

Petals on a wet, black bough

Kirsten Kaschock

Eiko in performance — painted a near white, her slight frame and its minimal gestures sometimes unbearably sorrowful — does not appear to have the fortitude to take care of us. Still, I think she is doing just that.

photo: Antoine Tempé

Two Looks, from Twenty

Megan Bridge

Megan Bridge sat down for a screen-to-screen “chat" with Gregory Holt about Trajal Harrell’s "Twenty Looks or Paris is Burning at the Judson Church."

Photo: Nancy Chen

I Could Barely Breathe

Lynn Matluck Brooks

I have never seen a site-specific work use a chosen space to better impact, or performers more committed to the world they create therein.

Photo: Alexander Iziliaev

In Conversation: Angel Corella

Lisa Kraus

Why Angel Corella hopes "that everyone can make it to Philadelphia," and more thoughts from the new Artistic Director of PA Ballet.

A New Debut–Corella as PAB Artistic Director

Kat J. Sullivan