All Articles
- Reviews
Rather than performing as dancers or musicians, each cast member became a truly hybrid cross, moving and sounding at the same time throughout the piece.
- Reviews
What makes the InHale Performance Series a success is the nurturing community it offers to emerging and established artists.
- Reviews
Rosas is a trial of endurance, sure, but like any great challenge with substance at its core, it rewards: you emerge changed.
- Reviews
The final installment of Ugly Numbers, a three-part investigation on gender inequity in contemporary American dance.
- Interviews, Reviews
Eiko in performance — painted a near white, her slight frame and its minimal gestures sometimes unbearably sorrowful — does not appear to have the fortitude to take care of us. Still, I think she is doing just that.
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Megan Bridge sat down for a screen-to-screen “chat" with Gregory Holt about Trajal Harrell’s "Twenty Looks or Paris is Burning at the Judson Church."
- Reviews
I have never seen a site-specific work use a chosen space to better impact, or performers more committed to the world they create therein.
- Interviews
Why Angel Corella hopes "that everyone can make it to Philadelphia," and more thoughts from the new Artistic Director of PA Ballet.