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(Left to Right): Burr Johnson, Savannah Gaillard. A bald man with a beard sits on the floor, he wears what looks like a loose skirt or dress, and gazes at his right arm which is gently extended horizontally from his side. Nearby, a woman with dark hair wearing shorts stands in profile in front of a wall made out of tatami, a small doorway in front of her.
Photo: Maria Baranova

Trisha Brown: The Joy of Looking Back

Brendan McCall

Reconstructions and a world-premiere continue Trisha Brown´s legacy

A woman holds a full-size human skeleton model in her arms, meeting its gaze with puckered lips in an expressive, playful gesture. She wears a black shirt and is framed against a solid black background. Her body and the skeleton mirror each other, suggesting a dialogue between life and anatomical structure. The image appears on both a tablet and a hardcover book placed on a wooden surface, emphasizing the book's physical and digital presence.
Photo: Todd Carroll

Dancing Our Way to Meaning

Garamh Kim

A Review of Teaching and Learning Dance through Meaningful Gestures by Anabella Lenzu

Hip-Hop Culture

A woman, Erin Carlisle Norton, wears a sleeveless cotton shirt. She stands casually and smiles. Her shoulder-length hair is loose and wavy. Her hands are crossed, and to the left reads a “Movers and Shapers: A Dance Podcast” Logo. The background is a prism of rainbow (blue and purple) colors.
Photo: Erin Carlisle Norton

The Web: Celebrating Ten Years of Podcast Interconnectedness

Megan Mizanty

Movers and Shapers dances into the next decade

Three dancers from the side in a black space, two in front and one behind them and centered. The dancers in front hold a basket between their right hands. They are all bent at the knees, arching over their left shoulders with the right shoulder sunken toward the floor. Their left arms fly out in long, clean lines.
Photo: Steven Pisano

Why? And Where Are You?

Emilee Lord

Pain is not a flower

Three performers cluster towards the middle of the frame, in various blurred states of movement: arms reaching, legs akimbo, gaze down. Towards the bottom left hand corner is a small yoga block. The picture is brightly lit from sun-spotted lights in the back.
Photo: Julie Mayo

2.0 The horse is blonde, and other mutterings

Madeline Shuron

Julie Mayo and Christy Funsch present ”A Wife in Dance,” a split bill performance prioritizing space, distance, and relations

On the Avenue in front of the red sign above Radio City Music Hall, a group of Highland dancers are pictured landing out of a leap onto their right toes, the left leg bent at the knee out to the side, with the left foot touching the opposite leg just below the knee. They have their hands on their hips and broad, bright smiles. The brightly colored white and red, dark blue, light blue, purple, and green plaids of their Tartans and knee socks stand out on the cloudy day.
Photo: Josef Pinlac

Flinging in the Rain

Emilee Lord

A Glimpse into Scottish Highland Dance

Welcoming New Writers to thINKingDANCE!

Kalila Kingsford Smith

tD welcomes a new cohort of writers in 2025!

three dancers with large white blankets of tulle fabric pull them across each other, the camera catches them in a blurry flurry of motion. each dancer looks toward a different direction, arms to the sky. the photograph is a wash of the transparent tulle.
Photo: Rob Li Photography

the wave of ending and beginning

desire amaiya

with the world so uncertain and art requiring more cherishing than ever, Lin cherishes the dancers and the giving act of perf

A woman in a black leather coat, jeans and a black bowler hat squats down. Her long hair is blown across her face obscuring it and her hand moves up to brush it away. The name Clare Croft appears in black letters in the top left corner. In large white letters, the bottom of the photo reads: Jill Johnston.
Photo by Phyllis Birkby

Interrupting the Paper Daughter

Emilee Lord

Reading writing on a writer dancing