All Articles
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The magical village of domes, projections and branch dancing of Merián Soto's "SoMoS."
- Interviews
A discussion with Soto on her influences and interests, on teaching improvisation and the possibilities of the body.
- Interviews
Two TD Writers at the ballet talk Petipa, Grisi, the romantic macabre and overcoming dance sibling rivalry.
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For six full hours the group prepared for an interactive performance. They took their shoes off, practiced trust falling and yes, believe it, they even attempted levitation.
- Reviews
What if the creator’s role was to release into the world a never-ending set of possibilities, whose lives would surely outlive that of their originator?
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The balletic body is often held up as an image of machinic perfection.
- Letters to Editor, News
Eva Karczag considers our review of performers from Poland from an Eastern European perspective.
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It’s been ten years and two children since I danced my first Giselle. Tonight, my husband and I step into the principal roles again – as parents.
- Reviews
Lubovitch exposes his strategy and follows its logic, responding closely to the music he chooses.