All Articles

Dance 10, Looks 3?

Anna Drozdowski

We take you inside Susan Rethorst's audition for her upcoming work at Bryn Mawr College.

Photo: Joan Myers Brown, private collection

Brown’s “Audacious Hope”: A Book Review

Ellen Gerdes

Gottschild tells the story of both discrimination against and perseverance of black dance pioneers in the 1940s and ’50s

Meet the Writers: Kilian Kröll

Kilian Kröll

PS #25: Survey Monkey

Photo: Bill Hebert

A Photographer Presents!

Kariamu Welsh

The BillHPhotos Choreography Showcase drew on significant talent in our community and underscored the value of showcasing excerpts and works-in-progress.

photo: Alan DiBerio

For Members Only: Enter My World

Kariamu Welsh

Popil’s study is an eloquent portrayal of someone who has lost a loved one and Goudie-Averill makes a poignant commentary on the plastic objects that serve as replicas of our body parts.

Photo: Michael Bartmann

Spirits in an Industrial Space

Jonathan Stein

The weightedness of bodies in 'Hoist,' either in motion or at rest, was the strongest metaphorical connection to an industrial past of physical labor and heavy machinery.

Photo: Lindsay Browning

Dear Megan Mazarick and Mason Rosenthal of “Mining the Mine of the Mind for Minderals,”

Annie Wilson

It takes a huge consciousness to live in the structure of a performance as opposed to clinging to it.

Photo: Blaine Davis

Absent of Clothing and Title, A Revelation

R. Eric Thomas

They’re not bodies with a message written across them; they are people sharing a space and an experience and letting us in.

Photo: Johanna Austin

The Office: A Horror Story

R. Eric Thomas

With this highly stylized, precisely choreographed production, Toshiki Okada paints a picture of cubicle life as a near-death experience.