All Articles

Photo: Johana Austin
  • Reviews

A Communion of Former Zygotes Touching Rocks

Caitlin Green

A pause. A breath. A grounding exercise.

Photo: ptc
  • Reviews

Sankofa in the round in ‘The Duat’

nikolai mckenzie ben rema

One man, many voices, a drum to navigate the way home.

Photo: Morgan Gregory
  • Reviews

Whimsy and Childlike Nostalgia in “Indigo in October”

Rachel DeForrest Repinz

Sumayyah Smith invites us into her vibrant world.

Photo: Skye Schmidt
  • Reviews

The Look of Love by Mark Morris delights at Penn Live Arts

Courtney Colón

A breezy love letter to Burt Bacharach

Photo: Maria Baranova, Courtesy New York Live Arts
  • Reviews

Four New Visions

Emilee Lord

Precision, Play, Autonomy, and Rest in this year's Fresh Tracks.

Photo: Jano Cohen
  • Reviews, Write Back Atchas

Feeling Beyond the Facts: A Write Back Atcha

Ella-Gabriel Mason

Why dance a story ripped from the headlines?

Photo: Terry Fox
  • Reviews, Write Back Atchas

Dancing, Speaking, Crying, Screaming: A Write Back Atcha

Charly Santagado

Two interdisciplinary works where lineages unravel, burdens are unloaded, and emotions let loose.

Photo: Spyros Stefanou
  • Reviews

A Study in Setting

Ellen Miller

At Leah Stein’s FILM WORKS screening, setting took center stage.

Photo: Kiana Williams
  • Reviews

A River Runs Down 52nd

Ella-Gabriel Mason

Drums, dance, and community abound in the Propelled Animals Earth Day procession.

Photo: Todd Carroll
  • Interviews, thINKpieces

The Kinetic, the Femme, The Political: Lineage in motion.

Emilee Lord

Motherhood is not marketable.