All Articles

Photo: Jasmine Lynea

Nanay: Tagalog for Mother

Kalila Kingsford Smith

The dancers chart their ancestral matrilineal stories onto their bodies and into the grass.

Photo: Wide Eyed Images

Club for One

Lu Donovan

Can a solo pleasure performance become a communal experience?

Photo: Dawn States

Dawn States Dancers Speak for Themselves

Kara Nepomuceno

Description is less necessary when the work is already beautifully narrated by the dancers themselves.

Photo: Brandon Wyche

Klassic Contemporary Ballet Company’s “Return to Müvment” Brings a Return to Joy

Lauren Putty White

Dancers fill the stage, inviting me into their realm through silent narrative.

Photo: Peterson Goodwyn

Dwelling on the Past and Present

Joseph Ahmed

A short, bitter-sweet reminiscence on home and loss, thoughtfully presented.

Photo: Augustina Iohan

Dancing into the New Year

Darcy Grabenstein

Flipping through the Jewish calendar, one dance at a time

Photo: Jonathan Stein

Shayla-Vie Jenkins Reveals Long-Buried Histories

Jonathan Stein

A transcendent experience mining the racial history of the Christ Church Burial Ground.

Photo: John Chandler Hawthorne

I Was Waiting For You

Emilee Lord

This piece was done gently enough, generously enough, that the themes of personal grief and loss came through without a heavy

Photo: Britt Davis

Portraits of Illusion and Collapse: OhOk at Fringe

Kara Nepomuceno

Dreams, theatrics, ruminations, and inversions structure the Berlin-based collective’s latest dance film.

Photo: Pip Fort

Mirror! Light! Action!

Emilee Lord

A physical theater piece with bursts, hesitations, and falls in a game of light, images, objects, and themselves