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Photo: Marina Cherry

An Ungainly Kind of Gorgeous

Emilee Lord

Through stages of quiet rite, disturbing contortion, and macabre hilarity, Marina Cherry takes us somewhere both private and

Photo: Johanna Austin

More Than Just Girls’ Games: Lily Kind’s “Wolfthicket”

Joseph Ahmed

An invigorating exploration and reinvention of childhood "girls' games".

Photo: Tim Black

Dancing the Self In-Between*: A Dialogue with Umeshi Rajeendra

Rhonda Moore

The controlling forces of coloniality blankets a laissez-faire on whom and what is deemed familiar, normal, and rectified.

Photo: CONTRAPUNTO, Huelles vivas del zapateo afroperuano

Contrapunto: Dancing between Decolonization and Positive Ethics

Leila Mire

Colonialism, a multi-faceted discourse, appears differently within peoples' histories around the world.

Photo: Bo Burnham

Body to body: Bo Burnham’s Inside

Kat J. Sullivan

I’m laughing; I’m crying; I’m laughing because I’m crying; I’m crying because I’m laughing.

Photo: Ian Douglas

Ethics in Art and Money

Emilee Lord

Miguel Gutierrez’s new podcast tackles the complicated nature of philanthropy and the arts.

Photo: Shannon Murphy

A Taste of the Inside

Lu Donovan

A collection of zines encourages us to stick with our gut feelings.

Photo courtesy of Rosalynde LeBlanc

Bringing D-Man in the Waters into the future

Kristen Shahverdian

It surprises me how captivating the students are, both their willingness to learn the dance and their struggles to find motiv

Design: Lindsey Jennings

Dancing Our Fullest

Emilee Lord

Dancing is a reminder to care for the body; to have a relationship with it.

Photo: CONTRAPUNTO Huelles vivas del zapateo afroperuano

“An Act of Care”: A Conversation with Juan Felipe Miranda Medina

Leila Mire

A conversation with Juan Felipe Miranda Medina dissects decolonization and decoloniality in dance.