All Articles

Photo: Brian Sanders' JUNK
  • Reviews

Diving Deep

Whitney Weinstein

Eroticism, athleticism, and unconventional ingenuity.

Photo: Eric Ashleigh
  • Reviews

Unhinging memory and making time tangible

Janna Meiring

The body perceiving and holding death and grief

Photo: Sokolow Ensemble
  • Reviews

The Art of Gesture

Lynn Matluck Brooks

Anna Sokolow: no frills, no elaboration.

Photo: Orpheas Emirzas
  • Reviews

Hoochie in the Front, Coochie in the Back

Jenna Horton

In “Caen Amour,” we drink, move from front to back to front: go ahead, peep.

Photo: Sean Thomas Boyt
  • Reviews

Digital Dances/Imagined Scores

Eleanor Goudie-Averill

For the Digital Fringe, Sean Thomas Boyt has created "How To Dance," 54 “minimal dance scores.”

Photo: JH Kertis
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Endurance, Chaos, and the Rigor of Attention

Kat J. Sullivan

I found moments of synchronicity and pattern amidst the frenzy.

Photo: Darcy Lyons
  • Reviews

Cautionary Correlations

Miryam Coppersmith

A shift towards the personal/political tumbles into the all-too relatable.

Photo: Leah Stein Dance Company
  • Reviews

Sites of Potential

Thomas Choinacky

Leah Stein has created a space for potential— allowing audience members to fashion their own associations with this movement

Photo: Magda
  • Reviews

Shine Bright Like a Magda

Mira Treatman

Declaring it was time to do what she was trained not to do in her theater and dance education.

Photo: Johanna Austin
  • Reviews

Say Their Names and Other Acts of Transformation

Thomas Choinacky

Kill Move Paradise is a powerful convening of black men’s voices.