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In front of me were men reclaiming their own tacitly-restricted embodiment.
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I think there is a reawakening thirst for artistic expression beyond pure entertainment or academic exercise.
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The drones are acting up in David Parsons newest dance piece with Drexel.
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Pennsylvania Ballet welcomed people with sensory, learning and communications differences.
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Bára Sigfúsdóttir's "The Lover" was the best thing I've seen in a long time. I wrote her a love letter.
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"You want the world to be both chaotic and predictable."
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Immersive dance intersects with election night trauma.
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Social, political and creatively occupied space.
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The women memorably describe their lives in show business, shaped by the double discrimination of race and gender.
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I feel assailed by these questions when watching this choreography, and I wonder whom to hold accountable.