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Alvin Ailey American Dance Theater

Shadows, Light, and Inspiration

Roxanne Lyst

Upholding historical repertory while integrating contemporary works is what the Ailey Company does best.

Photo: Bill Hebert

Belonging at Home

Kalila Kingsford Smith

I am reminded that dance works more like poetry than like news.

Photo: Johanna Austin

The Requisite Movers: The Complexities of Black Consciousness

Gregory King

In a hinged position she dangled her arms—breathing as they swayed, living in their lifelessness.

Photo: Ian Douglas

The Color Of The Aged Queer is Pink

Gregory King

It felt personal.

Photo: Marc Van Borstel

Tharp and Race: Four Questions

Gregory King

Seeing Tharp's company, I was curious how she would respond to questions about race, inequality, diversity and inclusion.

Photo: Carlos Avendaño

A Funeral For Five Performances

Ellen Chenoweth

Hopkins asks: How is a performance like a person?

Photo: Bill Hebert

BalletX Brings Fonte’s Beasts Alive at the Wilma Theater

Gregory King

Felesina whittled through the space before washing the floors with her fluid, muscled body.

Photo: Tadashi Suzuki

“Making the Body Theater”: An Interview with Terzopoulos on Antigone

Jay Oatis

"Tragedy...it's not drama. You're naked on the stage, like dance."

Photo: Alexander Iziliaev

The City Breathes Together

Julius Ferraro

Terzopoulos’s Antigone begins at the point of exhaustion, with a populace worn to the nub by war.

Photo: Lourdes Delgado

Traces of Trisha: Into the Archive

Lisa Kraus

How do we curate memory?