.

Photo: Hallie Martenson

What Did I Just See? Show No Show as Meta-Performance

Karl Surkan

“The answer is: You will die, and all will end,” Revlock continues. “You will die and know everything or cease asking.”

Photo: David McDuffie

The Evolution of Success

Whitney Weinstein

Xavier announces, “No thing can exist without nothing.”

Photo: K Chow Studios

Teasing Time With Precision: Nora Gibson’s Contemporary Ballet

Zornitsa Stoyanova

Time has cycled and morphed.

Photo: Dogface Studios

Rituals, Poetry and Performance: CA Conrad

Lauren Samblanet

Poetry deserves our full attention.

Photo: Ian Douglas

Looking the Elephant in the Eye: Jaamil Olawale Kosoko’s Black Male Revisited: Songs for the Dark Divine

Rhonda Moore

His intention: confronting and uncovering the perpetual and multi-faceted elephant in the room

Photo: Zornitsa Stoyanova

“In the end it comes down to community” – Gus Gscheidle and his 1fiftyone gallery + art space

Zornitsa Stoyanova

Gscheidle: I have fallen in love with the dance and theater community here.

Photo: Bill Hebert

Dancing Duets: Mixing Styles, Stories and Approaches

Megan Stern

The final duet leaves me thoroughly satisfied with the evening as a study of the duet form.

Photo: Alexander Iziliaev

What’s New: Pennsylvania Ballet’s “Strength and Longing”

Lynn Matluck Brooks

Setting this work on four PAB men set the bar high, and they met it.

Photo: Matthew Murphy

Elisa Monte Passes the Baton to Tiffany Rea-Fisher

Gregory King

Gregory King interviews Tiffany Rae-Fisher, the new artistic director of Elisa Monte Dance Company

Alvin Ailey American Dance Theater

Shadows, Light, and Inspiration

Roxanne Lyst

Upholding historical repertory while integrating contemporary works is what the Ailey Company does best.