.
- .
Megan Bridge sat down for a screen-to-screen “chat" with Gregory Holt about Trajal Harrell’s "Twenty Looks or Paris is Burning at the Judson Church."
- .
Part II of a three-part series on gender inequity in contemporary American dance, featuring analysis of the numbers and interviews.
- .
"Ladies, gentlemen give it up for Philadelphia's finest," the MC/dancer said to the police officer approaching to break up the show.
- .
Part I of a three-part series on gender inequity in contemporary American dance investigates the data on gender discrimination in Philadelphia dance presenting.
- .
Myra Bazell and Jane Gotch reunite after fifteen years in The Iron Factory's June Presenting Series.
- .
On watching American Ballet Theatre and New York City Ballet in two widely varied programs.
- .
"Being involved in acting has made me ask a lot more questions in dance..."
- .
Two TD writers on David Gordon's Philadelphia workshop--"Political Shenanigans: dancing w/ Brecht & Eisler."
- .
Historically, Bharatanatyam has had empty spaces, and it is the duty of a talented dancer to fill the empty spaces. The potential in those breaks is a unifying force across genres.
- .
Robert Ashley's music sparked the imagination of a range of choreographers, among them Trisha Brown, Steve Paxton and me.