Reviews

(Left to Right): Burr Johnson, Savannah Gaillard. A bald man with a beard sits on the floor, he wears what looks like a loose skirt or dress, and gazes at his right arm which is gently extended horizontally from his side. Nearby, a woman with dark hair wearing shorts stands in profile in front of a wall made out of tatami, a small doorway in front of her.
Photo: Maria Baranova
  • Reviews

Trisha Brown: The Joy of Looking Back

Brendan McCall

Reconstructions and a world-premiere continue Trisha Brown´s legacy

A woman holds a full-size human skeleton model in her arms, meeting its gaze with puckered lips in an expressive, playful gesture. She wears a black shirt and is framed against a solid black background. Her body and the skeleton mirror each other, suggesting a dialogue between life and anatomical structure. The image appears on both a tablet and a hardcover book placed on a wooden surface, emphasizing the book's physical and digital presence.
Photo: Todd Carroll
  • Reviews

Dancing Our Way to Meaning

Garamh Kim

A Review of Teaching and Learning Dance through Meaningful Gestures by Anabella Lenzu

Three dancers from the side in a black space, two in front and one behind them and centered. The dancers in front hold a basket between their right hands. They are all bent at the knees, arching over their left shoulders with the right shoulder sunken toward the floor. Their left arms fly out in long, clean lines.
Photo: Steven Pisano
  • Reviews

Why? And Where Are You?

Emilee Lord

Pain is not a flower

Three performers cluster towards the middle of the frame, in various blurred states of movement: arms reaching, legs akimbo, gaze down. Towards the bottom left hand corner is a small yoga block. The picture is brightly lit from sun-spotted lights in the back.
Photo: Julie Mayo
  • Reviews

2.0 The horse is blonde, and other mutterings

Madeline Shuron

Julie Mayo and Christy Funsch present ”A Wife in Dance,” a split bill performance prioritizing space, distance, and relations

On the Avenue in front of the red sign above Radio City Music Hall, a group of Highland dancers are pictured landing out of a leap onto their right toes, the left leg bent at the knee out to the side, with the left foot touching the opposite leg just below the knee. They have their hands on their hips and broad, bright smiles. The brightly colored white and red, dark blue, light blue, purple, and green plaids of their Tartans and knee socks stand out on the cloudy day.
Photo: Josef Pinlac
  • Interviews, Reviews

Flinging in the Rain

Emilee Lord

A Glimpse into Scottish Highland Dance

three dancers with large white blankets of tulle fabric pull them across each other, the camera catches them in a blurry flurry of motion. each dancer looks toward a different direction, arms to the sky. the photograph is a wash of the transparent tulle.
Photo: Rob Li Photography
  • Reviews

the wave of ending and beginning

desire amaiya

with the world so uncertain and art requiring more cherishing than ever, Lin cherishes the dancers and the giving act of perf

  • Reviews

Elastic Lineage

Miryam Coppersmith
Two people dressed in blue sit on top of an overturned recycling bin, with their arms extended overhead as if riding a rollercoaster. They have nervous looking facial expressions, and are in front of a curtain backdrop which is painted like a bedroom. There is a hand coming from behind the backdrop, grasping it, as if preparing to enter the stage.
Photo: Dylan Smythe
  • Reviews

Has Sadness Ever Taken You Down to the Dump?

Caitlin Green

“THIS IS THE WORST DAY EVER!”

In groups of three, dancers are positioned stage left, stage right and centerstage. The left and right groups perform a lift with two dancers at the base and the aerial dancer reaching outward. Through reaching in similar form to the aerial dancers, the centerstage trio remains grounded. Dancers stand against a white backdrop with pink and blue lights. They wear uniform spandex pants and crop tops.
Photo: Sasha Onyshchenko
  • Reviews

Montreal Company, RUBBERBAND, Brings Reckless Underdog to Philly

Caitlin Green

Bringing street dance to the theater underscores the intersection of performance and social dance.

On the right, a man sits in a red kayak with his back to the camera. He wears a green shirt. A white rope is tied to the back of his kayak and reaches out of the frame. He is on a lake heavily grown in with green plants. The water is blue and still. There is a mountain in the distance.
Photo:Rachel Keane
  • Reviews, thINKpieces

All That History in Those Very Seats

Emilee Lord

Steve Paxton remembered