What if the creator’s role was to release into the world a never-ending set of possibilities, whose lives would surely outlive that of their originator?
Lubovitch exposes his strategy and follows its logic, responding closely to the music he chooses.
The BillHPhotos Choreography Showcase drew on significant talent in our community and underscored the value of showcasing excerpts and works-in-progress.
The weightedness of bodies in 'Hoist,' either in motion or at rest, was the strongest metaphorical connection to an industrial past of physical labor and heavy machinery.
Popil’s study is an eloquent portrayal of someone who has lost a loved one and Goudie-Averill makes a poignant commentary on the plastic objects that serve as replicas of our body parts.
It takes a huge consciousness to live in the structure of a performance as opposed to clinging to it.
They’re not bodies with a message written across them; they are people sharing a space and an experience and letting us in.
With this highly stylized, precisely choreographed production, Toshiki Okada paints a picture of cubicle life as a near-death experience.
The Gate hovered at the crossroads of Cirque de Soleil and the Chippendales, with acrobatic dancing in progressive states of undress.
Lea Bostick, vetted for "This Town is a Mystery," was asked by Andrew Simonet if her family members were shy. She said, “Shy was the only gene they didn’t have.”