These dancers carried the audience to a different world, where clothes are removed with a glint of irony that says, “You can look but you can’t touch.”
December 15, 2012. This is what I saw last night. It was not catharsis, and it was not “applicable” to the horror of the day.
It is enough to watch Miller delicately place the record player’s needle down as if performing brain surgery on a field mouse.
Time—as concept, construct, and reality—was engulfed in layers of questions and musings, artifacts and objects, sound and movement.
“Sometimes art really imitates life,” said Ronen “Roni” Koresh, as he introduced his evening-length work, Trust, at its premiere Thursday, November 29.
This first-ever collaboration between Kùlú Mèlé and The Requisite Movers proved a rich cultural experience, from beginning libations to a final invitation onstage.
Three choreographers show their work from the Susan Hess Modern Dance Choreographers Project.
How often does one have the opportunity to attend a lecture by a pioneer of post-modern dance?
Perhaps the program’s title, "An Offering," suggests that this is just a small quantity of what Phil Grosser has in store.
I felt my focus SHARPen as I was pulled into each piece.