Reviews

Photo: Alexander Iziliaev
  • Reviews

Reconstructing a Romantic Ideal: Angel Corella’s Giselle

Ziying Cui

Corella’s exquisite choreography highlights the charm of pantomime ballet in conveying meanings and emotions in a non-dialogu

Photo: Paul Kolnik
  • Reviews

Invitation to Joy

Ellen Miller

In new and old work, Ailey’s dancers invite us to embody the joy of their expression

Photo: Matthew Caserta
  • Reviews

Can you hold me?

nikolai mckenzie ben rema

Deep in the cave of the heart are all the stars in the sky.

Photo: Sasha Onyshchenko
  • Reviews

we show you what we want to

desire amaiya

are moments enough?

Photo: Brian Mengini
  • Reviews

Interdisciplinary Inquiry at Temple’s Dance Faculty Concert

Ziying Cui

Five innovative choreographies by the current faculty of the Dance Department.

Photo: Andrej Uspenski
  • Reviews

A Call To Action for Inclusive Dancing: Empower in Motion in London, UK

Catja Christensen

Inclusivity, Unity, and Individuality.

Photo: Courtesy of Jerome Robbins Dance Division
  • Interviews, Reviews

“Border Crossings” Reveals Historic Erasures in American Modern Dance

Emilee Lord

A revision of modern dance history centering artists marginalized and excluded.

Photo: Jonathan Stein
  • Reviews

Animal and Gender Fluidity in Headlong’s ‘Horse Woman’ at the Barnes

Jonathan Stein

Insights into Laurencin's beguiling enchantments and sensuous visions.

Photo: Walter Wlodarczyk
  • Reviews

Imagination as Survival in “YO OBSOLETE”

Rachel DeForrest Repinz

Christopher “Unpezverde” Núñez seamlessly weaves together audio description and imaginative narrative.

Photo: Camilla Greenwell / Wellcome Collection CC-BY-NC
  • Reviews

Dance Your Way Home

Catja Christensen

Warren imagines that dancing home is as natural and essential as breathing.