Reviews

Photo: Andrés Gonzalez-Bonillas
  • Reviews, thINKpieces

Movement and Words Collide

Darcy Grabenstein

From words on paper to feet on the ground, workshop participants mix it up.

Photo: Johanna Austin
  • Reviews

Jérôme Bel

Emilee Lord

Performance is the most beautiful thing in the world.

Photo: Brian Mengini
  • Reviews, Write Back Atchas

Existing in a Trapped World: A Write Back Atcha

Miryam Coppersmith

Striving to stay human in tosses, spins, and synchronized flash dances.

Photo: Danielle Currica
  • Reviews

The Multilayered Selfhood of Shavon Norris

Shayla-Vie Jenkins

She calls on us to bear withness.

Photo: Amber Johnston
  • Reviews

I present a present presently

nikolai mckenzie ben rema

Stacking on bones like a winter blizzard...time can accumulate/elongate and backflip on itself.

Photo: Christopher Duggan
  • Reviews

Untitled and Real

Patricia Graham

Abraham’s movement vocabulary is a wonder of integration and versatility.

Photo: Carne Viva Dance Theater
  • Reviews, Write Back Atchas

Intimacy, Connection, and Personal Journeys at Mio / Tuyo / Nuestro

Kalila Kingsford Smith

A celebration of many identities and expressions.

Photo: Bela Shehu
  • Reviews, Write Back Atchas

Sister Bitch Intensity: A Write Back Atcha

Miryam Coppersmith

Was the hair leading the head or was the head leading the hair?

Photo: Jeffrey Bare
  • Reviews

Magnum Opus: I hate my work

Emilee Lord

A witty mockery of artist self-aggrandizement.

Photo: Angel Edwards, dancer Oliver Spencer, VD by Jordan Deal
  • Reviews

High Noon Revives the Cowboy Trope with Black, Queer Culture

Caitlin Green

With both roaring and solacing soundscapes, we wander through the psyche of a cowboy.