Considering the 'politics of gender in motion' in drag performance
A legacy resisting if not outright rejecting formal documentation.
Five writers from the "Dance Criticism and Aesthetics" summer course share their insights.
Does walking through space change our definition of the body?
Are decentralized, virtual arts organizations the wave of the future?
Resmaa Menakem's "My Grandmother’s Hands" addresses racialized trauma through somatic practice
Performances infused with the reflection and thoughtfulness of lived experience
H’Doubler didn’t teach from a codified movement technique, and valued improvisation and discovery above all.
Dr. Halifu Osumare’s memoir weaves personal stories together with histories of Black dance.
While tango dancers wait to embrace again, this collective pause offers time and space.