Sin Salida posits dance as a metaphorical map for human relations
They bowed together as choreographer and muse but undoubtedly without the violence.
Director Nataki Garrett’s vision strikingly translates this well-written script into an engaging work of art.
The dancers give their all, and they clearly enjoy themselves.
Intimate, in-the-round theater where people allow themselves to be affected by and involved in the work.
PAFA breaks new ground by bringing dance into the museum walls.
This is what dance can be, choreographer Nicolo Fonte seems to say, and isn’t it glorious?
A powerhouse performance revealing a delicious delicacy, shy but impassioned.
I reconnected momentarily with that freedom of youth, luxury of time, ease of relationship.