Reviews

Photo: Keira Heu-Jwyn Chang

It Takes Two

Carolyn Merritt

Sin Salida posits dance as a metaphorical map for human relations

Photo: Alexander Iziliaev

Of Stravinsky and Men

Mira Treatman

They bowed together as choreographer and muse but undoubtedly without the violence.

Photo: Anthony Werhun

Catch This

Amelia Rose Estrada

Director Nataki Garrett’s vision strikingly translates this well-written script into an engaging work of art.

Photo: Stephanie DeFeo

A Family Circus

Carolyn Merritt

The dancers give their all, and they clearly enjoy themselves.

Photo: Wide Eyed Studio

“An Everyday Man’s Prophet”: August Wilson at the Arden

Kat J. Sullivan

Intimate, in-the-round theater where people allow themselves to be affected by and involved in the work.

Photo: Preeti Pathak

Meaningful Art Needs Time and Space

Preeti Pathak

PAFA breaks new ground by bringing dance into the museum walls.

Photo: Vikki Sloviter

Dancing the Drama

Miryam Coppersmith

This is what dance can be, choreographer Nicolo Fonte seems to say, and isn’t it glorious?

Miryam Coppersmith

Photo: Alexander Iziliev

Maslova’s Magnetic Giselle

A powerhouse performance revealing a delicious delicacy, shy but impassioned.

Photo: courtesy of Gabrielle Revlock

FRIEND LOVE

Carolyn Merritt

I reconnected momentarily with that freedom of youth, luxury of time, ease of relationship.