Reviews

Photo: EgoPo Classic Theater
  • Reviews

On Our Backs In The Dark

Mira Treatman

Each audience member was guided by an “angel.”

Photo: Dominic M. Mercier
  • Reviews

Glass Handel: Shattering Opera

Lynn Matluck Brooks

What if you had lots of talent, fame, friends, faves, ideas, and money to play with—and you threw it all into a work you labe

Photo: Ursula Kaufmann
  • Reviews

Chew on This

Miryam Coppersmith

Throughout manger the dancers will keep eating paper.

  • Reviews

The F Word: Movements, Music, and Memory

Preeti Pathak

A social-justice movement can only succeed if it constantly recalls its roots and pays homage to those who paved the way.

Photo: Raphael Xavier
  • Reviews

Provocation and Delight with Metal & Kind

Janna Meiring

A mix that satisfies an urban sensibility with the flavors of an old-school slumber party.

Photo: Preeti Pathak
  • Reviews

Three Aksha and the Modern Journey of Bharatanatyam

Preeti Pathak

The thavil beats in unison with my breath and heart.

Photo: JJ Tiziou
  • Reviews

Dance as Spectacle: Le Super Grand Continental Takes the Club Outside

Karl Surkan

Think line dance meets flash mob, and what do you get?

Photo: Johanna Austin
  • Reviews

The Sea as a Doorway and a Border

Nicole Bindler

ear-whispered deals with the experiences of refugees and martyrs and implicate audiences in their stories.

Photo: Margo Reed
  • Reviews

Removing the Lines: American Anthems, Spectacle, and Zyrtec

Maddie Hopfield

Immediately I was thrown into energetic chaos...

Photo: Simpatico Theatre
  • Reviews

“You Jump, I Jump. Right?”

Barbora Příhodová

This testimonial performance challenges staid notions, like what it means to be masculine, feminine, and beautiful.