At the American Dance Institute in DC, Jane Comfort’s new, untitled work-in-progress makes for glorious people-watching.
Graffito Works’s dancers manifested Lewis’s merged abstraction and figuration, an elusive combination.
Coaction Dance Collective presented work layering spoken word, storytelling, and problem solving.
Pavane’s tight structure reveals the power of constrained form channeling explosive emotion.
The 35th-anniversary concert of New York-based Elisa Monte Dance was both a welcome and a farewell.
Divorced from context, Zaides's movements make the very consequential gestures of settlers, police and army seem mundane.
There is no doubt in my mind that Dance Theatre of Harlem is back.
It was delightful, from the pantomime characters to the virtuosic leads.
A collage of earnestness, passion and truth-telling, created by and for women.
Dance has the capacity to force us to confront our own mortality, our volatile bodies: Joe Goode's "The Resilience Project."