Reviews

Photo: Beatriz Schiller

Taking Flight with Limón

Lynn Matluck Brooks

Pavane’s tight structure reveals the power of constrained form channeling explosive emotion.

Photo: Eric Bandiero

Elisa Monte Dance: To Another Thirty-Five Years!

Gregory King

The 35th-anniversary concert of New York-based Elisa Monte Dance was both a welcome and a farewell.

Photo: Ian Douglas

Archiving Occupation, Identity and Resistance

Nicole Bindler

Divorced from context, Zaides's movements make the very consequential gestures of settlers, police and army seem mundane.

Photo: Matthew Murphy

Dance Theatre of Harlem: Still a Beacon of Hope!

Gregory King

There is no doubt in my mind that Dance Theatre of Harlem is back.

Photo: Alexander Iziliaev

Don Quixote: Digging the Details

Lynn Matluck Brooks

It was delightful, from the pantomime characters to the virtuosic leads.

Photo: Thomas Weir

cherchez la femme

Sara Graybeal

A collage of earnestness, passion and truth-telling, created by and for women.

Photo: Liz Lynch

Our Heroic, Dying Bodies

Meredith Bove

Dance has the capacity to force us to confront our own mortality, our volatile bodies: Joe Goode's "The Resilience Project."

Photo: Scotty Hardwig

Moving Objects

Meredith Bove

Tzveta Kassabova’s double bill "From Somewhere" at Danceplace in this dispatch from D.C.

Photo: Bill Hebert

The House of BJM

Kirsten Kaschock

But Ballets Jazz Montréal has their front door wide open. It beckons.

Photo: Milo Yeung

Being in Lasso Belly

Jenna Horton

Jenna Horton waxes poetic about Christina Gesualdi's Lasso Belly.