Pavane’s tight structure reveals the power of constrained form channeling explosive emotion.
The 35th-anniversary concert of New York-based Elisa Monte Dance was both a welcome and a farewell.
Divorced from context, Zaides's movements make the very consequential gestures of settlers, police and army seem mundane.
There is no doubt in my mind that Dance Theatre of Harlem is back.
It was delightful, from the pantomime characters to the virtuosic leads.
A collage of earnestness, passion and truth-telling, created by and for women.
Dance has the capacity to force us to confront our own mortality, our volatile bodies: Joe Goode's "The Resilience Project."
Tzveta Kassabova’s double bill "From Somewhere" at Danceplace in this dispatch from D.C.
But Ballets Jazz Montréal has their front door wide open. It beckons.
Jenna Horton waxes poetic about Christina Gesualdi's Lasso Belly.