Reviews

Photo: Nancy Chen
  • Reviews

I Could Barely Breathe

Lynn Matluck Brooks

I have never seen a site-specific work use a chosen space to better impact, or performers more committed to the world they create therein.

Photo: Becca Weber
  • Reviews

Chirp Chirp

Ellen Chenoweth

Read a re-cap of thINKingDANCE's Philadelphia Fringe Festival twitter reviews.

Photo: Andrea Clearfield
  • Reviews

#shamanicinterfaces: Creative Meditation

Kalila Kingsford Smith

Puts the spotlight on the ritualistic nature of performance.

Photo: Hope Davis
  • Reviews

Meat

Nicole Bindler

They are at a burlesque show called Lovertits. I am at an experimental dance-theater performance that critiques the male gaze called Lovertits.

Photo: Lora Allen
  • Reviews

Jungle Loops

Lynn Matluck Brooks

Dancers scratch on the wood, tap it, rap it, and soon the audience joins into this gentle symphony.

Photo: Hunter Canning
  • Reviews

Cheering for the Owls in the Pony Palace

Ellen Chenoweth

The pony palace is the field house, or the football field, or sometimes the whole game of football in this fun, refreshing creation.

Photo: Felicia Graumann
  • Reviews

Narwhals Ply the Rowhouse Fringe

Jonathan Stein

Donning a projecting narwhal tusk, long greyish wigs, and silvery shifts and culottes, Lee and Elkins played off the eccentricity of this “unicorn of the sea.”

Photo: Richard Termine Photography
  • Reviews

Fever Dreams

Patricia Graham

Blood, bones and a view of the body both raw and poetic.

  • Reviews

A Religious Exploration of the Body

Whitney Weinstein

Brian Sanders of JUNK is in his second year of creating work under the pseudonym Jasmine Zieroff.

Photo: Wim Winklewagon
  • Reviews

Through an Aperture, On a Street Corner

Kalila Kingsford Smith

For Searles, Project: Through an Aperture was as an experiment in transforming a large space into a layered canvas for dance.