Over time the body becomes less able in some ways but more eloquent in others.
Delicate execution of movement by extremely muscular bodies, athletic but thoughtful choreography, the scramble of gender role expectations.
The siren song of mermaids in the Philly Dance community: the popularity of these mavens-of-the-deep can’t be denied.
During three hours as a visitor to Retrospective I was swept into the individual retrospectives of several of the dancers.
When I walked into choreographer Xavier Le Roy’s Retrospective at MoMA PS1 there seemed to be nothing happening.
Rather than performing as dancers or musicians, each cast member became a truly hybrid cross, moving and sounding at the same time throughout the piece.
What makes the InHale Performance Series a success is the nurturing community it offers to emerging and established artists.
Rosas is a trial of endurance, sure, but like any great challenge with substance at its core, it rewards: you emerge changed.
The final installment of Ugly Numbers, a three-part investigation on gender inequity in contemporary American dance.
Eiko in performance — painted a near white, her slight frame and its minimal gestures sometimes unbearably sorrowful — does not appear to have the fortitude to take care of us. Still, I think she is doing just that.