
Had you told me when I moved to Philadelphia in
The Container and the Contained
The anti-chamber to the performance space at the CraneArts building
I’m starting this piece about the Rocky Awards, thinking densely
Performance Garage to Remain Open
The Performance Garage, home to Jeanne Ruddy’s dance company for
Tango Basics: A Beginner’s Primer
Meredith Klein, Executive Director of the Philadelphia Tango School is
Leah Stein Dance Company: Portraits
Collaborating with Leah is like: Sipping tea. Putting your trust
Leah Stein—Thoughts From The Field
The place: The ParlorThe time: 2006The weather: Slightly stickyThe question:
Meet the Writers: Anna Drozdowski
What would your parents say about your work in the
Cooking, Cake and Conversation at the LAB
The Live Arts Brewery (LAB) hosts an open showing each month to
The Stage and Page: Thinking Dance Authors Arrive
by Anna Drozdowski We are a collection of people interested in translating
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Through Ladybird, Anna Drozdowski embarks on international projects in organizational development, mutual understanding and research–most often in dance. She is a staff writer, editor, and co-founder of thINKingDANCE.
Through Ladybird, Anna embarks on international projects in organizational development, mutual understanding and research–most often in dance. Along with artists who make honest, ambitious work she remains curious about like-minds in far-flung places who are interested in the individual and the body. Anna is a facilitator with Artists U, manages the Christ Church Neighborhood House and collaboratively curates spectacles with the fledgling birdbirdbird. She has written critically on Headlong/Tere O’Connor, Dada von Bzdulow and the Royal Danish Ballet as well as through Critical Correspondence, the Philadelphia Weekly and the Bournonville Daily. Anna has shown tiny choreographies at Movement Research, InFlux the CEC New Edge series and the Rocky Awards; and lectured at universities in Europe/The Americas as well as with the PA Commonwealth Speaker Series. She is a fellow of the Fulbright Program and NEA Arts Journalism Program; her creative research has been supported by the Chicago Seminar on Dance & Performance; The Deutscher Akademischer Austausch Dienst and the Pew Charitable Trusts through Dance Advance. Anna holds a Master’s in Performance Studies from NYU and enjoys cross-stitching obscenities. Learn more.