
Defying the Odds and Inspiring Possibility with Almanac Projects
Almanac Projects’ Helpful Hints for Strength and Health for Busy People thrills

Defying the Odds and Inspiring Possibility with Almanac Projects
Almanac Projects’ Helpful Hints for Strength and Health for Busy People thrills

Good, Beautiful, Perfect, Black, Indigenous, Queer
Without hesitation, Ankole makes clear their commitment to dismantling colonialism

Seeking Sisterhood Amidst Unsafe Systems
Sprinting onstage, Cierra Woods and Edwina Thertulien begin sis.tem | gateways

An Experimental Retelling of the Myth of the Minotaur
Severin Blake puts their own spin on the myth of

A Mother-Son Duo Exchange Expertise
Bach Cello Suite Project, by dancer Megan Bridge and cellist

Embodying Human-Nature Interdependence
Merging nature and nurture, Cardell Dance Theater’s TERRA: Bodies and Territories (choreographed by

Shavon Norris’ CRONING (solo.duet 48:25) at The Philadelphia Death and Arts Festival
In all its honesty, vulnerability, and grief, CRONING (solo.duet 48:25) is a

Erick Hawkins Dance Company in Pure Lucia: Quidditas Suchness
Pure Lucia: Quidditas Suchness, curated by Dustin Hurt’s Bowerbird, is one

Has Sadness Ever Taken You Down to the Dump?
“THIS IS THE WORST DAY EVER!” screams Terry, throwing down

Montreal Company, RUBBERBAND, Brings Reckless Underdog to Philly
Beginning with contemporary ballet, and finishing with hip-hop, the Montreal-based

Twenty years. Twenty tons. Three stories high. Assembled with remnants

In a gradual awakening, Marguerite Hemmings lies on the floor

Celebrating Nineties Nostalgia in ‘Future Jam ‘94’
Could 90’s nostalgia be the answer to reclaiming our attention

At Concourse Lake during golden hour, Leigh Huster led guests

A Housewarming in a Magic Garden with Biscuits and Hibiscus
The allure of melodic piano music enchants my walk to

Sound Moves: an interchange of expertise in percussion and modern dance.
I’ve seen Casual Fifth, a Taiko and dance ensemble, several times

A Communion of Former Zygotes Touching Rocks
Meg Foley convened guests in a circular seating arrangement, divided in

“You’re Probably Wondering What the F is Going On Here”
Upon enteringA Stank Upon A Time: A Story About Funk,

“Dream Sweet, Rough Man”… and it seems like they did.
As if awakening from a tranquil slumber, Lu Donovan and

3 Pony Show’s Visceral Storytelling Summons Kinship and Survival in the 1900s
A Tree When No Moon Shines by 3 Pony Show/Keila Cordova Dances,

Un-Othering Our Gardens: “What Seeds Are You Planting?”
Potted plants and cardboard-cut grass cradled the marley stage at

Labor Unions Aren’t the Villains and Southerners Don’t Kiss Their Cousins
Theatre Philadelphia and thINKingDANCE continue our partnership, begun in 2018,

Dance as an Exploration of Love, Pain, and Performance
Penn Live Arts’ An Evening of Short Dance Films featured three works

Kulu Mele Celebrates Maturation and Fellowship—Past, Present, Future
It’s golden hour. A projection of a sunset meets the

A Cross-species Movement Dialogue Between Agency and Vulnerability
“Que vidas tienen valor?” is projected high onto the studio

High Noon Revives the Cowboy Trope with Black, Queer Culture
Whistling wind sounds welcome us into the theater as several

Koulman Dance Offers Treadmill, Technique, and Tradition
After a contemplative walk in stark silence, soloist Grace Kimble

J. Bouey’s Chiron in Leo Reminds Us to Check on the Children
In the digital pre-show for their latest work and short film, Chiron in
Caitlin Green is a Philadelphia-based freelance dance artist with a Master’s degree in Dance/Movement Therapy from Drexel University (2019). In her work, she tends to concentrate on the body’s role in wellness, individuality, and expressions of personal and collective narratives. She is a staff writer with thINKingDANCE.
Caitlin (she/they) is a freelance dance artist with a background in dance/movement therapy (MA, R-DMT). Concentrating on the body’s role in wellness and catharsis, their performance work has been featured in the Painted Bride Art Center’s Building Bridges artist cohort (2020), Bodymeld’s GWYN residency (2021), Philadelphia Dance Project’s DANCE UP CLOSE (2022), and MythMedia Studios’ Illadelph Dreams (2023). Caitlin has choreographed for Regothereshego (2021), La Egoista at Philadelphia Theatre Company (2024) and Independence Charter School’s annual musical (2019-2025). Caitlin is a trauma-informed teaching artist with The Village of Arts and Humanities, and has curated movement workshops such as “Dancing to Transgress: Lessons from bell hooks” (2020), “Our Embodied Impulses”(2021), and “Embodied Practices in the Classroom” (2024). Caitlin is a writer with cinéSPEAK as a Philly Cultural Critics Fellow (2025), and has enjoyed writing with thINKingDANCE since 2021. Learn more.