
Bridging Choreographers with ZIPLINE
Zip-wires serve as makeshift bridges transporting people over rivers in
Bridging Choreographers with ZIPLINE
Zip-wires serve as makeshift bridges transporting people over rivers in
Tapping in Space: A Conversation
Patricia Graham: You’ve seen Savion Glover perform a couple of
I don’t want to review BalletX’s recent Fall Series 2012 performance critically.
Dancing in the Field: #dusaconf 2012
I’m a full-fledged member of the no-end-in-sight student loan debt
anonymous bodies & fidget: discUS.
We’re tired of traditional reviews for many reasons, and one
It’s About Time: Fela! at the Academy
Between 1982 and 1988 the top three longest-running Broadway shows
Meet the Writers: Debbie Shapiro
Finish this sentence “Good writing…”…stays with you beyond the initial
The Importance of a Witness: Faye Driscoll “Informs” Philadelphia
When an independent choreographer from the outside passes through the
Dancing Around Dramaturgy (an exploration)
“A live event, thoughtfully conceived and carefully presented, can bring
Serendipitous and Sustainable: Long Live anonymous bodies
Independent artists Kate Watson-Wallace and Jaamil Kosoko are known for
Pain, Pleasure and Pamphlets from SHARP Dance Company
When integrating such hefty content as mental illness into an
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Debbie Shapiro helps artists and inspiring people get their work done, and currently serves as a consultant for various small companies around town. From 2008 – 2012 she was Managing Director for Headlong Dance Theater, collaborating closely with the company’s founders Amy Smith, Andrew Simonet, and David Brick. She is a former staff writer and board of directors member with thINKingDANCE.