Bharatanatyam

Three dancers, including Nalini Prakash and Vijay Palaparty all face each other in a circle, dressed in vibrant greens, reds and yellows while Vijay wears mostly all white. They are in a dance studio with warm wooden floors. They are all smiling at each other, reaching arms around while balancing on one foot.
Photo: Natasha Cohen-Carroll
  • Interviews

Who am I?

Zoe Farnsworth

Nalini Prakash and Vijay Palaparty discuss identity, tradition, and the evolving 20-year journey of Godavari.

Lakshmi Thiagarajan, author of the article, kneels gracefully on the ground in a covered walkway outdoors, lit by lanterns. One leg is forward, clad in yellow and red silk pants with a percussive bracelet on her ankle. Her clasped hands frame her face, adorned with a bindi and golden headband. She looks off to the side with a small smile.
Photo: Lakshmi Thiagarajan
  • thINKpieces

Beyond Entertainment: Exploring Perspectives on the Purpose of Dance in South Indian History

Lakshmi Thiagarajan

Dance as an expression of political power, religious fervor, and of women’s sexualities.

Photo: Jasmine Lynea
  • Reviews

Facing East Festival Celebrates Eastern Dance Through the Ritual of Practice

Anito Gavino

The dance was an offering, a quiet conversation from the dancer to the divine.