Deborah Hay

Photo: Nicole Bindler

Being a Pig in the Village

Nicole Bindler

Nicole Bindler recalls her experience in workshop with Deborah Hay

Photo: Erin Manning

Dance’s Shimmering Call

Megan Bridge

Erin Manning invokes dance, choreography, philosophy, film, and even autism to advocate for a richer relationship to the world around us.

All Day Dance (a poem)

Thomas Devaney

This poem is the first to be published by thiNKingDANCE.

Photo: Tori Lawrence

On being in the presence of Deborah Hay, and the history of events surrounding that experience in the studio.

Annie Wilson

Annie Wilson interrogates just what it means to practice dance as if it were/as if it is central to the practice of a waking life.

Photo: Peter Price

Encountering Deborah Hay

Patricia Graham

How often does one have the opportunity to attend a lecture by a pioneer of post-modern dance?

I think not, I think not, I think not

Becca Weber

Three distinct versions of the same Deborah Hay solo were performed by three Philadelphia artists.

Photo: Bill Hebert

Really, It Is Kind of Huge

Megan Bridge

I can see these dancers working through ideas of physical intelligence. They are at home in their bodies, at home in making, and I can just tell that they are having a rip-roaring good time.

The Challenge of Embodying Saudade

Jonathan Stein

Sometimes titles raise expectations that are not always realized in the actual performance.

Bill Hebert

Group Motion Presents Spring Fest

Christina Gesualdi

Manfred Fischbeck, artistic director of Group Motion Dance Company and cornerstone of the Philadelphia dance community for over forty years, presents an improvised score.