Fringe Arts

Severin Blake sits on the floor in the middle of a studio space with their arms outstretched toward an audience member. Blake is surrounded by a group of people sitting on chairs and pillows with their arms outstretched as well. There is a singing bowl, some cards, and a broom head sitting on the floor at the center of the space. The studio is dimly lit with two clip lights that are mounted on the wall.
Photo: Shoshana Isaacs

An Experimental Retelling of the Myth of the Minotaur

Caitlin Green

“I can’t wait to be eaten! …taken in whole. Digested.”

The image features dancers from The UMAMI Colletive’s Sweetest Encounter, wearing various colorful 70s vibe clothing. The ensemble poses with all hands up to the sky and flares outward while they look up. It is set against a warm sunrise background, the dancers radiant happiness through their inviting smiles and open chest to the sky as if soaking in the sun.
Photo: Laney Powers

This is Your Moment

Sophiann Mahalia Moore

A Night with UMAMI and Urban Movement Arts Dance Theater

Photo: John Chandler Hawthorne

I Was Waiting For You

Emilee Lord

This piece was done gently enough, generously enough, that the themes of personal grief and loss came through without a heavy

Photo: Benjamin Behrend and Logan Gabriel Schulman

Welcome to the Shiva House, Where Grief Is in Full Bloom

Darcy Grabenstein

Storytelling and Jewish tradition in an interactive memorial ceremony for people of all faiths (or no faith)

Photo: Kaitlin Chow

Looks Like Sounds Like, a Study in Contrasts—and Perception

Darcy Grabenstein

In Looks Like Sounds Like, you may wonder whether there’s more to it than meets the eye—and ear.

Elman Studio

Map Making

Amelia Rose Estrada

People migrate. Sometimes by choice but often by force, be it war, climate change, oppression, or violence.

Photo: Andrea Clearfield

#shamanicinterfaces: Creative Meditation

Kalila Kingsford Smith

Puts the spotlight on the ritualistic nature of performance.

Photo: Richard Termine Photography

Fever Dreams

Patricia Graham

Blood, bones and a view of the body both raw and poetic.