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FringeArts

Photo: Ian Douglas
  • .

The Color Of The Aged Queer is Pink

Gregory King

It felt personal.

Photo: Anja Hitzenberger
  • Reviews

Letter to the Whirl: The Crowd Circles Round

Kirsten Kaschock

Philadelphia dance-goers describe their evening at Zambrano's "Soul Project" in alternately poetic and analytical prose.

Photo: Knut Bry
  • Reviews

Border Crossings

Lisa Kraus

The duet form in dance, done with new twists by Norwegians.

Photo: Bryon Calawa
  • Reviews

Excavating the Family Secret

Kalila Kingsford Smith

Does your family have a secret? Jeanine McCain created an environment conducive to discovery and nostalgia.

anonymous bodies art collective
  • Interviews

Baggage Attached: An Interview with Kate Watson-Wallace

Whitney Weinstein

Come with an open mind to watch Mash Up Body. The intimacy is important.

Photo: Megan Mazarick
  • Reviews

Scratch That and Recreate an Arts Community

Whitney Weinstein

Scratch Night reflects a growing interest among artists of all genres in revealing art making process to audiences.

Photo: Jean Luc Tanghe
  • Reviews

Re: Rosas*

Rosas is a trial of endurance, sure, but like any great challenge with substance at its core, it rewards: you emerge changed.

Photo: Wim Winklewagon
  • Reviews

Through an Aperture, On a Street Corner

Kalila Kingsford Smith

For Searles, Project: Through an Aperture was as an experiment in transforming a large space into a layered canvas for dance.

Photo: Dasha Miller
  • Reviews

Hopping in a Scripted Improvisation

Whitney Weinstein

There is no correct execution, rather it invites trust in the unscripted and free will and spontaneity in a controlled environment.

Photo: Said Johnson
  • Reviews

Ballet in Socks

Lynn Matluck Brooks

It was good to see Pennsylvania Ballet dancers gliding, falling, pulling, writhing, and otherwise off their verticals in What I Learned About Outer Space.