A conversation on motif description and scores with Emilee Lord and Brendan McCall.
A 3D film of Cunningham’s life provides a texturally rich environment in which viewers can dwell.
Groenendaal, Faylor, and their collaborators have created a show that would never be exactly the same twice.
I think of all the places I have lived...Do I ever fully take stock, record to memory, carry their traces and leave mine behind?
I chance upon pieces dancing around the Bride: Cage’s neat scores, Duchamp’s nudes descending shattered large glasses, Cunningham’s reeling dances.
What if the creator’s role was to release into the world a never-ending set of possibilities, whose lives would surely outlive that of their originator?
I call my work both “experimental” and “process based.” Being in the studio allows me to confront those monikers and try to figure out what they mean.