Laurel Hill Cemetery

Shavon Norris stands on stage in black clothing with her eyes closed and mouth open as if shouting in discomfort, with her hands covering part of her face. There is a person playing the upright bass in the background, and a sliver of blue and yellow lighting behind Norris.
Photo: Johanna Austin

Shavon Norris’ CRONING (solo.duet 48:25) at The Philadelphia Death and Arts Festival

Caitlin Green

A work that makes space for the constant tug of death

Photo: desire amaiya

a circular relationship between capitalism and death

desire amaiya

a traveling circle of life framed by tombstones.