LGBTQ+

A dancer (Gabriel Bruno Eng Gonzalez), wearing white pants and a sleeveless white top, is balanced on the ball of his right foot. His long arms are extended outwords, and both of his legs are bent. Another dancer (Aaron Loux), also wearing white, lunges on his right leg, and holds Gonzalez´s hand to help him suspend his balancing position. Behind the two of them, in front of a screen the color of deep blue, we can see other dancers standing in the distance, looking at them.
Photo: Maria Baranova, courtesy of New York Live Arts

Artifacts of Thought from the Closeted Mind

Brendan McCall

Forty years on, Tere O’Connor’s dance visions remain personal, unpredictable, and provocative

Photo: Anne Vetter

Self-Acceptance is a Journey

Ellen Miller

The beauty in Cannon’s work is its ability to draw you in as he externalizes his struggle, conflict, and joy.

Photo: Courtesy of the artists

If You Think You’re Going to Hell, Get Onstage Now

Ella-Gabriel Mason

In Fix Me, American and Egyptian gay men compare life experiences.