Miller Rothlein (MIRO)

Photo: Johanna Austin

Egg Cartons, Cotton Candy, and Living Sculpture

Libby Rush

The invisible wall between viewer and performer is broken; the viewer given an active voice.

Photo: Johanna Austin, www.austinart.com

The Unbearable Weight of She

Carolyn Merritt

Real expressions of gender are indeed all around us. We need only take the time to see.

Photo: Johanna Austin (DaDaDance Project)

Philadelphia Dance Community On The National Scene

Julie B. Johnson

How a close-knit arts community represents itself to NPN's nationwide audience.

Photo: Lindsay Browning

MIRO’s Double Bill: Body as Medium, Performance, Art, Dance?

Christina Gesualdi

It is enough to watch Miller delicately place the record player’s needle down as if performing brain surgery on a field mouse.

Photo: Ian Foster

Philadelphia’s Thriving Showcase Series Scene

Amelia Longo

Showcase series provide a platform for bold new performances that might otherwise go unseen, as well as interesting ways to engage audiences.

Photo: Tobin Rothlein

A Dark, Dismembered Happening

Jonathan Stein

The ghosts of an earlier generation’s Happenings were awakened by a new work, Still Life, by the renamed Miller Rothlein company (formerly MIRO Dance Theater).

Photo: AP

My Drama with Dance Competitions

Kilian Kröll

Our correspondent reports why you'll see him in the front row at the Annenberg for Champions of Dance.