A 50 minute, 2 ½ mile speedy excursion with brief stops in front of almost 20 iconic paintings.
This Score for Ballet could indeed be a dance, enacted, but with no bodies required.
I chance upon pieces dancing around the Bride: Cage’s neat scores, Duchamp’s nudes descending shattered large glasses, Cunningham’s reeling dances.
Inside that stone a dance is emerging, pounding and reverberating, breathing in and out.