thINKingDANCE

Donate

Tere O’Connor

A dancer (Gabriel Bruno Eng Gonzalez), wearing white pants and a sleeveless white top, is balanced on the ball of his right foot. His long arms are extended outwords, and both of his legs are bent. Another dancer (Aaron Loux), also wearing white, lunges on his right leg, and holds Gonzalez´s hand to help him suspend his balancing position. Behind the two of them, in front of a screen the color of deep blue, we can see other dancers standing in the distance, looking at them.
Photo: Maria Baranova, courtesy of New York Live Arts
  • Reviews

Artifacts of Thought from the Closeted Mind

Brendan McCall

Forty years on, Tere O’Connor’s dance visions remain personal, unpredictable, and provocative

Photo: Paula Court
  • Reviews

Erotic Divine, Born of Structural Space

Jenna Horton

Undersweet dedicates rigorous attention to the unfolding of now, trimmed of nostalgic fat.

Photo: Yi-Chen Wu
  • Reviews

O’Connor in The Kitchen

Rhonda Moore

Through gesture, posture, attitude, sound, and movement, the scene fills with clues that encourage all to connect the dots as

Photo: Paula Court
  • Reviews

Masterful Movements

Eleanor Goudie-Averill

This is a dance that knows where it comes from. This is dance you can trust. With Bleed,Tere O'Connor may just have created a masterpiece.