PS #16: The Perfect Dance Critic

“The perfect dance critic does not exist.”

This is the opening sentence from this piece of writing by Miguel Gutierrez, originally published in the Movement Research Journal in 2002.   How far has criticism come in the past ten years?  Where is discourse happening (perfect or non).  

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Unscored Improvisation, H-O-T or Not?

Xander Cobb

Does dance need meaning to be meaningful?

Three people sit in an oblique triangle that fills the frame. To the left, a musician, Aabeizer, sits on a black bench in carpenter jeans and a dark t-shirt. His eyes are closed and his feet bare. He moves his hands around a circular plate and wooden dowels that extend from a wood board he holds against his chest. To the right, a saxophonist, Bhob Rainey, sits on a folding black chair in a black cardigan and grey pants, blowing into the mouthpiece and pressing the keys. Between them, a person with short red curls, Kayliani Sood, crosses their legs on a white stool, sitting higher than the musicians beside her. They wear brown shorts over grey pants and a black t-shirt with a blue square patch in the center. She rests one hand on her knee, and the other over their forearm, closes her eyes and tilts their head pensively to the right.
Photo: Loren Groenendaal
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thINKingDANCE hosts “Write Back Atcha” series at ArtPhilly’s What Now Festival

Noel Price-Bracey
Participants in a Write Back Atcha talk together and write in a theater lobby. On top of the image, the logos for Art Philly's What Now Festival and thINKingDANCE's Write Back Atcha series are displayed.