Meet the Writers: Jonathan Stein

Jonathan Stein

What are you most excited to cover through TD?
Performance that is provocative, ironic, humorous, sensual, physically challenging, and smart.

Which part is challenging, scary, difficult?

Addressing dance that I am less familiar with, and beyond my past viewing experience. Returning to edit my own writing.

How did you learn to type?

Never learned, beyond the forefinger-each-hand method, nearly flunked typing in jr. high school, but I’m fast.

What is the TD project really about, in your experience?

Bringing more artist voices into the discourse, and filling a void with lots of energized dance writing.

Good dance…
wants me to come back the next night, and urge friends to come out too.

Good writing…

is all around us for the curious.

What is your “desert-island” publication?

My music collection in an island-pod.

If you never see another _________again, it will be too soon.
Presidential debate

What would your parents say about your work in the arts?

Wonderful, but are you still a Legal Services (legal aid) lawyer?

If you were to write a dance love-letter, it would be to:
Steve Krieckhaus, and ask when he is coming back.

Share this article

Jonathan Stein

Jonathan Stein has retired from a 50 year career in anti-poverty lawyering at Community Legal Services where he had been Executive Director and General Counsel, and remains Of Counsel. He is a member of the board of directors with thINKingDANCE as well as a writer and editor.

PARTNER CONTENT

Keep Reading

Dance Leadership by the Numbers

Jennifer Passios

A Conversation with Elizabeth “Liza” Yntema of Dance Data Project®

At the RISE 2025 Summit held at the New York Library for the Performing Arts, panelists for a discussion entitled “Data is Revolutionary” gather in black office chairs with silver legs in front of a large projector screen that reads “Dance Data Project, Harriet Tubman Effect Institute, & Women Count” in a pastel blue above the title “Data is Revolutionary” in a light yellow. Six circles containing the headshots of the panelists dot the rest of the projection. Amidst the other seated speakers, Nancy Owen stands holding a microphone in her right hand. She leans forward toward the audience, eyes alight, mouth open in speech that slips through an excited smile. In the lower left corner of the frame, a bald man in a crisp blue suit brings the crook of his thumb and second finger to his chin at stage right. He looks out toward the audience with his chair angled away from the six panelists.
Photo by Victoria Detres

Meanwhile, in an Indoor Meadow: An Interview with Andrew Skeels

Caedra Scott-Flaherty

A new dance and exhibition explore growth and change in an intimate setting.

Andrew Skeels, a White man with buzzed hair, wearing a black T-shirt, stands against a black background. He is turned to the side but looks directly out with a soft smile.
Photo: Damian Siqueiros