Performance Club: Raphael Xavier in First Person Arts

Comment here with your responses to Raphael Xavier’s show “The Unofficial Guide to Audience Watching Performance.”

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To You—who I think about all the time:

Jennifer Passios

A letter to my favorite student

In a dance studio with white walls, a light gray marley floor, and two large whiteboards along the back wall, situated above a double-stacked wooden ballet barre, eleven college students lay supine with their arms raised and legs parted in an “X” shape on the ground. They lay at different angles, breathing deeply, following the instructions of the teacher at the front of the room. The instructor, tD writer Jennifer Passios, faces the students. She wears a black Adidas jacket. Her hair falls in a half-up-half down updo as her arms reach skyward in the same “X” gesture that the students make on the ground.
Photo: Jacob Regan
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Apocalypse: We Hold Us

Xander Cobb

The only things left to live for are our lover’s touch and dancing all night.

The light’s red, the stage black. Dramatic. Devilish. Contrast and shadow are high on the six people in frame. Dead center, a dancer lays. Around her, four people point, laugh, and crouch over her body making the “loser” L on their forehead. In the bottom left corner, someone's leg, hip, and reaching hand are just in frame.
Photo: Matthew Caserta