Photo: Marie Brown
Photo: Marie Brown

Call for Submissions: Confinement Dance Photo Essay Series

Carolyn Merritt

We invite dancers and movement artists to submit photos and accompanying brief text to a thINKingDANCE series in our coverage of artists’ responses to COVID-19.

If necessity is the mother of invention, what is confinement doing for dance? We at thINKingDANCE want to celebrate the dance community’s ingenuity by creating a photo catalogue of some myriad ways dancers are responding to our current stay-at-home orders through movement. Marie Brown’s “Box Dance” (above), although created in late 2019, captures something of our current confinement, as well as dance’s power to adapt and respond artfully to the larger world.

We’d love to see how YOU are dancing in confinement too.

To submit, please send a high resolution image along with your name, date (of image), a title, and a brief blurb (max 80 words) to confined@thinkingdance.net. tD will notify submitters of acceptance, and we will make any necessary changes to text according to our editorial guidelines. Selected submissions will appear in one of a series of articles, to be published bi-weekly, beginning April 30 and continuing through June.

Share this article

Carolyn Merritt

Carolyn Merritt is an anthropologist, writer and dancer. She is the author of Tango Nuevo (University Press of Florida, 2012), part memoir and part ethnographic study of contemporary Argentine tango. Carolyn teaches courses in anthropology and performance studies at Bryn Mawr College. She is a former staff writer and editor with thINKIngDANCE.

PARTNER CONTENT

Keep Reading

About Face: Yellowface and the Cost of Looking Away

Lauren Berlin

To love ballet is to let it evolve

Georgina Pazcoguin, her short black bob framing her face, wears a white bodysuit decorated with blue and red flowers and holds a classical Chinese fan. Her eyes are defined with lined makeup as she extends into an elongated ballet pose.
Photo: Pentalina Productions LLC

By the Way, You Can Laugh

Rachel DeForrest Repinz

Brian Golden on disability, play, and humor as access.

A group of dancers move together in a clump holding toilet plungers, some of which are donning messy black wigs or flightlights-as-eyes.
Photo: Jenna Maslechko